The Skin of Chitwan at Photo Kathmandu

Nepal Picture Library is honoured to share Skin of Chitwan at Photo Kathmandu 2023.

The exhibition is on view at Bahadur Shah Baithak Hall, Patan Durbar Square from 25th Feb – 31st March 2023.

Chitwan’s soil carries materially the memory of all the past and present projects of placemaking that have occurred there. Human activities have swapped one habitat for another and one way of living for another, marking the land in the process with stories of settling and uprooting, domesticating and wilding, founding and ruining. Soil, like all infrastructures, does the invisible work of ensuring a reliable and common base for relationships to flourish across the unpredictable forces of time and space. Today, other infrastructures rise above the soil turning Chitwan away from its local environment and into yet another dissociated node of extraction in the global movements of labour and capital.

Even as our collective ecological future remains captive to the accelerating timeline of progress, The Skin of Chitwan asserts other ways of being in time and belonging to place. Chitwan, after all, remains a frontier zone, unstable as a place, whose pasts are not quite past. Is this not an opportunity to articulate possibilities for living and sensing that demand wholly different relations with the land and the environment? If this is contemporary history, it asks that we widen the horizon of the contemporary to a deeper and slower temporality that comes with caring for the soil. It is a history presented not for interpretation but for attunement—for sensing, not knowing. Working through various modes of dwelling, occupying, and making territory in Chitwan, this work proposes a shift in the frames of reference for material experience, collective memory, and ordinary perceptions of time and space. It seeks other futures through the regeneration of sensibilities and orientations of a reciprocal, place-based existence.

FMP and Visual Research Method Workshop at Kochi Biennale

Thank you Kochi Muziris Biennale for inviting us to showcase The Public Life of Women – A Feminist Memory Project as part of the 5th Kochi Muziris Biennale curated by Shubigi Rao. We are always happy to have the opportunity to share our work with new audiences. We met many wonderful people while we were there. We are back home with many reflections on the nature, intent and limitations of large-scale biennale events. If you find yourself in Kochi, you can encounter these pieces of Nepali history at Pepper House until 10 April 2023.

Nepal Picture Library also spent four wonderfully invigorating days of thinking archives, sharing histories, and hopes for the future. Big thanks to Kochi Muziris Biennale for making this gathering possible, and to all our guests Amar Kanwar, Laxmi Murthy and Uriel Orlow for taking time to share their work and deep thinking with us. And much love, gratitude and solidarity to all our new friends from Srinagar, Guwahati, Madhurai, and Kozhikode – thank you for your spirited participation and here’s to more collective thinking and acting in the days to come ✊🏽❤️

Feminist Memory Project at Istanbul Biennial

Nepal Picture Library is honoured to share the Public Life of Women: A Feminist Memory Project at the 17th edition of the Istanbul Biennial. If you are in Istanbul, please visit us on the 4th floor of Pera Museum. Entry is free.

The 17th Istanbul Biennial is organised by the Istanbul Foundation for Culture and Arts (İKSV) and runs from 17 September – 20 November 2022. It is the result of more than two years of conversations on projects situated in different parts of the globe. This edition is curated by Ute Meta Bauer, Amar Kanwar and David Teh.

“Rather than being a great tree, laden with sweet, ripe fruit, this biennial seeks to learn from the birds’ flight, from the once teeming seas, from the earth’s slow chemistry of renewal and nourishment. There may be no great gathering, no orchestrated coming together in one time and place; instead it might be a dispersal, an invisible fermentation. Its threads will be drawn together, but they will multiply and diverge, at different paces, crossing here and there but with no noisy culmination, no final knot. Let this biennial be compost. It may begin before it is to begin and continue well after it is over.”

Special thanks to Magnum Foundation, Bagri Foundation and Istanbul Foundation for Culture and Arts (İKSV) the  for the support.

All photos: Shikhar Bhattarai

QUICK TIME, OLD RIVER AND A SKY FULL OF DREAMS

We are thrilled to announce the opening of QUICK TIME, OLD RIVER, AND A SKY FULL OF DREAMS at Patan House this weekend!

29 July – 30 September 2022
Patan House, Dhaugal

The exhibition is open every day from 11am – 7pm

*Closed on Mondays

Kathmandu valley is experiencing unprecedented change. Is time somehow speeding past quicker than it used to? What do we remember of the old ways of life? How can this memory transform into knowledge which takes us past simple nostalgia? How can this knowledge show us tenable ways to serve the needs and dreams of the millions who share the Kathmandu sky? How can plans and policies look beyond technocratic solutions to embrace a healthier politics of the commons?

This exhibition, with its accompanying public program, attempts to address these and related themes that thread together the outcomes produced by the seven research fellows of the Kathmandu Valley Urban History Project.

The Kathmandu Valley Urban History Project is a research and public knowledge initiative that works towards understanding, documenting and telling stories about the ways that Kathmandu is experiencing change. Through place-based research, archiving, and storytelling, the project seeks to contribute to the public discourse on urbanization, the commons, and imaginations for the future.

Photo:
1970, North-West view of Kathmandu Valley with Bagmati river dividing Lalitpur and Kathmandu. Betty Woodsend Collection/ Nepal Picture Library

 

 

The Publicness of public spaces: The case of Tundikhel

What is our relationship with Tundikhel and what are the factors and forces that have shaped this relationship over time? How has access to this space been regulated through moral and physical policing? What were the successes and challenges of the Occupy Tundikhel movement and what is the way forward? In this seminar, we will explore these questions and more anchored by Tales of Tundikhel, a work by Tripty Tamang Pakhrin @tri3pty one of the research fellows of Kathmandu Valley Urban History Project. Through oral histories and multimedia, Tripty shares how people from different walks of life have used, absorbed, appropriated and experienced Tundikhel over time. We will use her work to discuss critical issues around public space, access, policing and the future of Tundikhel.
.
The session will be 5 hours long, hopefully allowing for a slower, more in-depth exploration into these ideas.
The session will be moderated by Sabin Ninglekhu. Presentations and discussions will take place in a mix of Nepali and English. Participants are requested to stay for the entire session.
.
Participation is free however limited to 25 and by registration on a first come first serve basis. Lunch will be provided.
.
Date: Sunday, July 31, 2022
Time: 10am – 3pm
Venue: Patan House, Dhaugal

*The room is located on the first floor and is unfortunately not wheelchair accessible.
To participate, please sign up below: https://forms.gle/YWsFu3bMCrX2BdLP6

 

Private Lands, Public Aspirations

In a city rapidly turning into a concrete jungle, finding open and green space is a challenge. The few that remain, happen to be plots of lands that feel ignored, oftentimes private and walled. What is the politics of the right to land – access, tenure, ownership – in Kathmandu? Who has access to land and what happens to them over time? This discussion seminar will discuss these issues that Irina Giri explores through her work for the Kathmandu Valley Urban History Project.

The discussion seminar will be a full day session, hopefully allowing for a slower, more in depth exploration into these ideas. It will be moderated by Sabin Ninglekhu. Presentations and discussions will take place in a mix of Nepali and English. Participants are requested to stay for the entire session. Participation is free however limited to 25 and by registration only on a first come first serve basis. Lunch will be provided.

Date: Sunday, 7 Aug, 2022
Time: 9:45am – 4:00pm
Venue: Yalamaya Kendra, Patan Dhoka

*The room is located on the first floor and is not wheelchair accessible.
To participate, please sign up below:https://forms.gle/wHTmNEVkNtNorGu59

 

Ancient Futures of Kathmandu Ponds

Ponds were an integral part of the traditional water systems of Kathmandu valley, much of which have been replaced by modern infrastructures. What value do ponds have now? What are their functions “beyond aesthetics” and what place do these ancient knowledge systems have in the future of the city? This discussion seminar will discuss these issues that Monalisa Maharjan explores through her research for the Kathmandu Valley Urban History Project.

The discussion seminar will be a full day session, hopefully allowing for a slower, more in depth exploration into these ideas. It will be moderated by Sabin Ninglekhu. Presentations and discussions will take place in a mix of Nepali and English. Participants are requested to stay for the entire session. Participation is free however limited to 25 and by registration only on a first come first serve basis. Lunch will be provided.

Date: Sunday, 14 Aug, 2022
Time: 10am – 4pm
Venue: Yalamaya Kendra, Patan Dhoka

*The room is located on the first floor and is not wheelchair accessible.
To participate, please sign up here: https://forms.gle/NXFMnuYkFmuc8YDC7

 

Heritage Hierarchy in Bhaktapur’s Falcha

The upcoming discussion seminar will be anchored by Monika Deupala’s research of Bhaktapur’s falchas. Unlike falchas within the core city area, the ones on the outskirts are uncared for, abandoned and often unusable. What roles do falchas play as public and community spaces and as the commons? Which heritage “monuments” are prioritized over others, and why? What kinds of cities do we want to live in? How do we define and shape our neighborhoods, and as a result, our identities and our relationships with each other?

Date: Sunday, 28 Aug, 2022
Time: 10am – 4pm
Venue: Yalamaya Kendra, Patan Dhoka
*The room is located on the first floor and is not wheelchair accessible.

To participate please sign up here: https://forms.gle/g2uLcBcrxdP5vh549

 

 

 

 

Rivers to Roads, Streams to Streets: The Ways of Boudha’s Water

“The landscape of Boudha has changed drastically in the last 20 years. Fields turned into concrete houses; streams turned into streets; and rivers turned into roads. The khahares were converted into sewage drains.” writes Minket Lepcha in The changing nature of Boudha’s relationship with water. Based on her work, the upcoming discussion seminar will explore rivers and waterways, with a focus on Boudha. How have they been encroached upon and what are the consequences of doing so?

The discussion seminar will be a full day session, moderated by Sabin Ninglekhu. Presentations and discussions will take place in a mix of Nepali and English. Participants are requested to stay for the entire session. Participation is free however limited to 25 and by registration only on a first come first serve basis. Lunch will be provided.

Date: Sunday, 4 Sept, 2022
Time: 10am – 4pm
Venue: Yalamaya Kendra, Patan Dhoka
*The room is located on the first floor and is not wheelchair accessible.
To participate, please sign up here: https://forms.gle/PebzsHQwn6GiurVC9

 

 

Cycling the City: Contemporary Histories and Possibilities

What led to the rise and fall of cycling culture in Kathmandu? What do the rise and fall reveal about the prevalent gender and class divides in the city? Why did some cities around the world embrace cycling while others, such as Kathmandu, chose not to? What are the conditions – cultural, political, economic – of possibility for adopting cycling as a primary mode of transportation?

The upcoming and final discussion seminar addresses these questions, anchored by Prashanta Khanal’s research for Kathmandu Valley Urban History Project.

The discussion seminar will be a full day session, moderated by Sabin Ninglekhu. Presentations and discussions will take place in a mix of Nepali and English. Participants are requested to stay for the entire session. Participation is free however limited to 30 and by registration only on a first come first serve basis. Lunch will be provided.

Date: Sunday, 25 Sept, 2022
Time: 10am – 4pm
Venue: Yalamaya Kendra, Patan Dhoka
*The room is located on the first floor and is not wheelchair accessible.

To participate, please sign up here: https://forms.gle/LzNyrZ6nakafENj57

The Skin of Chitwan

Indigenous Pasts, Sustainable Futures is a research project initiated by Nepal Picture Library in 2019, as part of NPL’s ongoing endeavor to document, archive and present Nepal’s marginalized histories. As with our other projects, we are looking for innovative ways to engage with our pasts.

Through research, archive building and storytelling, the project seeks to reimagine conversations around indigeneity, change in climate and ways of life, traditional knowledge systems, ideas of development, progress and sustainability, and indigenous ideas of futurity.

As an outcome of the first phase of research, we are pleased to share this online exhibition titled The Skin of Chitwan, that focuses specifically on Chitwan as an archive of terrestrial change by fixing into images and sounds of the past. The exhibition uncovers new archives; some that have been embedded in memory and personal histories, and others in the land.

The online iteration of the exhibition will platform an open resource section for deeper explorations that NPL hopes to build with collaborators over time. Through August, the online exhibition will be used as a prompt to catalyze a variety of conversations that will attempt to cross-pollinate ideas and unpack themes that the exhibition speaks to, bringing together cultural workers, children’s book writers, researchers, academics, scientists, lawyers, activists and other practitioners.

Project Credits

Exhibition Curator – Diwas Raja Kc
Program Curator – NayanTara Gurung Kakshapati
Research Fellows – Yutsha Dahal and Dewan Rai
Multimedia Fellow – Samagra Shah
Research Consultants – Birendra Mahato, Alston D’Silva, Ashok Tharu, Chhabilal Neupane, Dr. Ulrike Müller-Böker
Asset Management and Design – Shikhar Bhattarai
Additional Support – Biraj Maharjan, Nishant Shilpakar, Tripty Tamang Pakhrin, Sagar Chhetri, Dishebh Raj Shrestha, Thomas Pouppez, Bunu Dhungana and Shristi Shrestha
Acknowledgments – Agriculture and Forestry University, Ajaya Karkee, Amrit Bahadur Chitrakar, Ashish Gopal Pariyar, Bajiram Mahato, Bal Gobinda Chaudhary, Bhawani Tawa, Bidhesni Chowdhary, Bika Chaudhary, Bill Hanson, Bipul Pokhrel, Chandra P Chaudhary, Chizmani Chaudhary, Dave Hohl, Dave Rounds, Dinesh Subedi, Doug Hall, Gene Bank Nepal, Hannah Schneider, Hari Sharan Pathak, Indra Raj Chaudhary, Indu Chaudhary, Janak Rai, Jhoka Chaudhary, Kailash Rai, Kewal Chaudhary, Krishna Hari Ghimire, Krishna Kumar Mishra, Krishni Chowdhary, Lahiya Chowdhary, Lal Bahadur Bote, Lila Kumari Chaudhary, Madhuraj Kerung, Mangani Raut, Mansu Chowdhary, Nirhuri Chaudhary, Ram Din Chaudhary, Richard Pete Andrews, Rukh Gurung, Sabin Nginglekhu, Sanjib Chaudhary, Som Bote, Sukali Raut, Sulochana Gautam, Survey Department of Nepal

The exhibition URL: http://skinofchitwan.nepalpicturelibrary.org/

This project has been made possible through kind support from 

Project presentation by the curators and research fellows followed by discussion:
Saturday, 15th August 2020
4-6pm Nepal Standard Time

Curators Diwas Raja Kc and NayanTara Gurung Kakshapati will speak about the project at large and offer an online “walk-through” of the exhibition and accompanying program.

Research Fellows Yutsha Dahal and Dewan Rai will present their research papers:

Yutsha Dahal is looking at how debates around climate change, conservation and sustainable development are formed through imagined epidermal boundaries; boundaries that separate the tamed civilization from the wilderness of nature, boundaries that demarcate forests and cities, boundaries that alienate us from them. We form not just our understanding but also our identities within these boundaries. What would happen if we freed our current knowledge system from these imagined boundaries and think about the climate change crisis through the understanding of our indigenous pasts? Yutsha explores this question looking at the indigenous tattoo making practice of Tharu women in Nepal.

Dewan Rai is exploring how indigenous communities are disproportionately affected by change, especially change related to infrastructure development, because of their strong ties to the land, and their lack of representation at decision making levels. There have been historical patterns where projects like national parks and wildlife reserves, highway constructions, hydropower projects, forest conservation programs and industries have displaced hundreds of thousands indigenous people and severely altered their way of life. How have these encroachments been accelerated by statesanction? How might progress embrace and respect local visions and aspirations?

 

UPDATES: 

Countering the violence of loss and erasure: building archives for the future
Saturday, 22nd Aug 2020
4-6 pm NST

Skin of Chitwan - 1 Programming, Saturday, 22.08.2020

There is much to grieve and rescue of what we have lost. And much to reclaim – our stories, our songs, our histories and indigenous knowledge systems – from the violence of erasure. For this panel we have invited eight independent cultural workers who are doing innovative work towards creating spaces for intergenerational learning and building archives for the future. What has been possible for them and how? What are concerns around appropriation, authorship, access?

1. Sharareh Bajracharya from Srijanalaya, Chhabilal Kopila and Mitthu Tharu will speak about their recent Tharu Children’s books project

2. Birendra Mahato from the Tharu Cultural Museum and Research Center will speak about the process and challenges of museum making work

3. Amrita Sardar and Sabita Bhujel, youth fellows of KTK-BELT will be speaking about Indigenous Knowledge Portal Project in Eastern Nepal

4. Prasiit Sthapit from Fuzz Factory and Pranab Akash will speak about Fuzzscape, a multimedia project aimed at the documentation, archiving and storytelling of intangible cultural heritage and their recent collaboration

*Presentations will take place in Nepali

Please register in advance for this meeting:
https://zoom.us/…/regi…/tJUocu2qqTwiHNKNKe6mqfqM4vCIuoHilyst

After registering, you will receive a confirmation email containing information about joining the meeting.

 

 

Gut microbiome: using genetics to understand Indigenous Nepali histories and change
Wednesday, 26th Aug 2020
7-8:30 pm NST

 

Aashish Jha, PhD is an incoming Assistant Professor in the Department of Biology at New York University Abu Dhabi. He uses genomics to decipher human population histories and microbiomes. Some of his recent work looks at the human gut (intestine), which contains a diverse community of bacteria. This bacterial community changes rapidly in response to diet and environment.

Many indigenous communities across Nepal who have historically foraged for food in the forests or grown their own food —are undergoing rapid lifestyle changes, including the Tharu, Raute, Raji and Chepang communities. Aashish has characterized the gut microbiota of these four communities, to investigate whether shifts from traditional lifestyles have resulted in changes in their gut bacteria. The results of his studies demonstrate that changes in their gut microbiome strongly reflect their divergence from their traditional foraging lifestyles. Many of the bacteria that differ across lifestyles are diet dependent but they also demonstrated that environmental factors, such as sources of drinking water, are strongly associated with the gut microbiome in Nepali populations.

How is large-scale gut microbiome reconfiguration impacting the health of the indigenous populations? What kind of scientific evidence and archival records make indigenous claims about the past possible? What do we accept to be evidence and what do we not? What is the role of other forms of knowledge that fall outside the western scientific framework?

 

 

 

 

Aashish Jha (@nepaliaashish) is an Assistant Professor at New York University Abu Dhabi where he uses genomics to decipher human population histories and microbiomes. His recent work has focused on traditional Himalayan populations and his current research projects include genomics and microbiomics of Nepal, India, Africa, and Oceania.
Aashish received his BA in Molecular and Cellular Biology from University of California Berkeley and his Ph.D. in Human Genetics from The University of Chicago. During his postdoctoral scholarship at Stanford University, he started The Himalayan Diversity Project to study the genetics and microbiome of Himalayan populations. His work in the Himalaya is supported by grants from The Bill and Melinda Gates Foundation and Stanford University Center for Computational, Evolutionary, and Human Genomics (CEHG). Aashish has published two dozen peer-reviewed papers in scientific journals. A complete list of his scientific publications can be found at Google Scholar.

Please register in advance for this meeting:
https://zoom.us/meeting/register/tJwrdOqqrTssHdawBZ2lCUpkrPeWylRtbYZs

After registering, you will receive a confirmation email containing information about joining the meeting.

 

The Anthropocene, Indigeneity and the Planetary Imagination
Sunday, 30th Aug 2020
7 – 9 pm NST

 

Why should scholars engage with the anthropocene? Is the anthropocene an invitation to think and act more globally and collaboratively? Or is it license to accelerate the hyper-modern projects that already threaten to suffocate and unhome indigenous communities? Reflecting on the on-going ‘The Skin of Chitwan’ exhibition and their own research, Nepal scholars Pasang Yanjee Sherpa, Austin Lord and Alston D’Silva discuss how the category of indigeneity as an increasingly vital line of analysis of planetary crises complicates and informs questions of agency, climate change, and political imagination.

Please register in advance for this meeting:

https://zoom.us/meeting/register/tJ0sfuqhqj8oH90M89DrTiryjHtt9u4YQoBe

 

 

 

 

 

 

 

 

Pasang Yangjee Sherpa, Ph.D. is an anthropologist currently based in Seattle, U.S.A. Her research areas include the Sherpa diaspora, climate change and Indigeneity in Nepal and the Himalayas. She has taught at the New School in New York, Pacific Lutheran University, Penn State University, Washington State University and University of Washington. Her interviews have appeared in Alpinist, Al Jazeera, BBC, Foreign Policy, PRI’s The World, Newsweek, and BYU Radio’s Top of the Mind. For more: www.pasangysherpa.com

Austin Lord is an anthropologist whose research focuses on questions of disaster and aftermath, time and temporality, water and energy, and the ways people reckon with uncertainty and socio-ecological change. His PhD dissertation research focuses on the ways that the people of the Langtang Valley are rebuilding their lives in the wake of the 2015 earthquake and reorienting themselves in relation to unevenly imagined futures. His scholarship has been published in a variety of academic journals, including Economic Anthropology, Cultural Anthropology, Political Geography, WIREs Water, Modern Asian Studies, Environment and Planning D, Himalaya, and Limn. Austin is also a photographer, filmmaker, and curator – in 2018 he co-curated an exhibition for Photo Kathmandu that drew from the ongoing work of a collaborative archival initiative called the Langtang Memory Project. He holds a Masters in Environmental Science from Yale University, and he is currently a PhD Candidate in the Department of Anthropology at Cornell University.

Alston Angelo D’Silva is a researcher, critic and educator. His ongoing research on the social dimensions of science and technology, human and machinic exploration of outer space, and new media activism have been presented in such diverse forums as the American Studies Association Conference, the European Network for Cinema and Media Studies Conference, the Extending Play Conference at Rutgers University, the Humanities and Social Sciences Seminar Series at the Indian Institute of Science Education & Research, Mohali, India. He has engaged in cutting edge interdisciplinary humanities research through his collaborations at UC Santa Barbara including with the Graduate Center for Literary Research, The New Sexualities Research Group and the Media Fields Editorial Collective, where he was the co-editor for the issue “Spaces of Protest”.

Nepal Picture Library at India Art Fair 2020

Nepal Picture Library was invited at the India Art Fair 2020, 30 Jan – 2 Feb 2020.

We would like to thank the @indiaartfair team, friends in Delhi and everyone who visited our booth, showed interest in our work and supported the @nepalpiclibrary

On view,

The Public Life of Women
A Feminist Memory Project

To become public is to be seen and accounted for in history. The journey of Nepali women from within the boundaries of domesticity to the openness of public life is a move from obscurity to memory. This exhibition showcases materials gathered by Nepal Picture Library in its effort to create a dedicated women’s archive. It rides on the feminist impulse to memorialize women’s pasts in the belief that their historical visibility will advance the case for liberation.

This multi-part exhibition is an act of willing Nepali women en masse into public memory. It flashes instances from the past when women have taken on political struggle, addressed assemblies, paved new paths through education, published and shaped opinion, traveled and described the world, become figures of authority, and broken social norms. What we see is a view of how publicness itself has emerged as a key feminist strategy in Nepal.

Juju Bhai Dhakhwa Collection

Through an endearingly personal lens, Juju Bhai Dhakhwa invites us to get to know his community in Nagbahal, a neighborhood tucked into the deep historic folds of the city of Patan. Dhakhwa was a photographer by passion. His photos embody an effortless snapshot aesthetic and reflect his adventurous spirit. They capture the communal alongside the familial and a chorus of faces greet us time and again, becoming lively characters in a fluid intersection between the private realm of his family and the public realm of festivities and excursions. His propensity for experimentation and documentation of his own life and lives around him provides a record of the transformation of his community as shaped by the political and economic transformations of Nepal in the 60s and 70s.

Feminist Memory Project at Objectifs – Centre for Photography and Film 2019

Women in Film & Photography 2019

Presented by Objectifs

11 Oct to 17 November 2019

REMEDY FOR RAGE: Our fifth edition of Women in Film and Photography seeks to explore how rage against discrimination, repression and injustice can be channeled into a force for awareness, action and change through art.

The women image-makers featured in this programme have created works that speak to local and international concerns, disrupting hegemonic narratives by surfacing stories of marginalised communities and invisible figures of history. Through these works, the programme aims to celebrate, enrich and underline the necessity of diverse voices and representation.

The artists included in the 2019 Showcase: Hoda Afshar | Taslima Akhter | Lenne Chai | Ashfika Rahman | Nepal Picture Library (Curated by NayanTara Gurung Kakshapati and Diwas Raja Kc) | Mathilde ter Heijne | Yanyun Chen & Sara Chong | Mysara Aljaru | Tania De Rozario | Kris Ong | Chantal Tan | Yu Gu | Michal Aviad | Josephine Mackerras | Marie Skovgaard | Shosh Shlam & Hilla Medalia | Nurul Huda Rashid

NPL at India Art Fair

Nepal Picture Library was invited to the India Art Fair  31 Jan – 3rd Feb 2019 where we exhibited sections from our research on Dalit: A Quest for Dignity and Public Life of a Woman: A Feminist Memory Project.

We would like to thank India Art Fair for giving us the space and to those who stopped by.

 

DALIT: A Quest for Dignity at Serendipity Arts Festival

DALIT: A Quest for Dignity curated by Diwas Raja is currently on view at Serendipity Arts Festival in Goa as part of EPHEMERAL: NEW FUTURES FOR PASSING IMAGES curated by Rahaab Allana from Alkazi Foundation for the Arts!

Works are on view at Adil Shah Palace, Panjim until 15 January, open every day from 10am – 6pm.

Please visit if you’re in Goa!

 

The Public Life of Women – A Feminist Memory Project at Khirki Studio – New Delhi

Nepal Picture Library exhibited The Public Life of a Woman – A Feminist Memory Project as part of the Khoj International Artists’ Association exhibition titled Playlist of Propositions along with 12 other shows at Khirki Studios from 5th Dec – 10th Dec 2018.

These exhibitions were the culmination of the Curatorial Intensive South Asia 2018 Program which brought together fellows from Iran, Pakistan, India, Bangladesh, Nepal and Sri Lanka. Unparalleled as one of the only programs of its kind, it aims to develop the next generation of promising curators in South Asia.

We would like to thank Khoj Studios, Goethe Institut and Magnum Foundation for making this possible.